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a selection of exhibitions
  • 1994 — Cannes, France — Salon Art-Jonction
  • 1995 — Strasbourg, France — International Art Fair
  • 1995 — Avranches Museum, France
  • 1995 — Bischheim Museum, France
  • 1995 — Le Havre, France — Galerie Slotine
  • 1996 — Paris, France — Bibliothèque Historique
  • 1996 — Tokyo, Japon — Seta Gaya Museum
  • 1997 — Anvers, Belgique — UFSIA Museum
  • 1998 — Cologne, Allemagne
  • 1999 — Paris, France — Musée de l’Écriture
  • 2001 — Paris, France — Galerie Kathryn Boudet
  • 2002 — Strasbourg, France — International Art Fair
  • 2002 — Paris, France — Salon Mac 2000
  • 2002 — Busan, Corée du Sud — Galerie Lee
  • 2003 — Paris, France — Salle des Blancs Manteaux, Mairie de Paris
  • 2004 — Lille, France — Espace de la Mairie
  • 2005 — Buchelay, France — (relation avec le Sénat)

Claude Mediavilla was born in Toulouse, in the South of France. After studying painting and paleography, he was invited to teach at the School for Decorative Arts [École des Arts Décoratifs] in Paris, France. He has also taught at Hamburg University, Germany, and in 2002, at Busan, Korea. Claude Mediavilla’s paintings have been honoured by exhibitions both in France and abroad — notably in Germany, Belgium, the USA, Korea and Japan.

Claude Mediavilla’s painting

Claude Mediavilla We can define Claude Mediavilla’s approach to painting by the concern to unite abstract art with the fertile contribution that contemporary calligraphy brings. This ‘calligraphic abstraction’ is both contemporary yet barely developed, and surely deserving of such creative effort.

Claude Mediavilla’s works place the gesture, the movement, the vivacity of touch and the line in the forefront. These qualities of strength and inspiration can also be found everywhere where the drawing hand is most important: in the animals in the Lascaux caves, in Rembrandt’s engravings, in Picasso’s drawing. This is then the importance of this painting that privileges the impulsion in the use of line. This calligraphic line is to painting as symbolic thought is to representation. Painting organises the visible and, sometimes, the organisation becomes autonomous, detaches itself from the real, and becomes abstract.

Through constant practise, the exactitude of the line provides the rigour that prevents the gesture from becoming empty, from becoming facile, or approximate. The sacred trance, the dazzling illumination, impregnated by the rigourous control of training, gives birth to the work of Art. Then there is the force, the interior strength, the tension in the lines, the balance of mass in their asymmetry. We are present at the heart of the mystery that surrounds all creation and easily understand how abstract art, the most inexpressible of art forms, comes naturally to meet calligraphy.

Technically, Claude Mediavilla stresses the texture of his materials, building up layers and wide brush strokes on different substances: jute sacking, crumpled paper, wood, sand, where light bursts forth and explodes the emotional charge. His flowing and delicate movements sometimes become violent, torn, nearly chaotic.

I have had the good fortune to receive lessons from Claude Mediavilla, many decades ago. They impressed me then, and even today, I am still indebted to him. They enabled me to better appreciate Fine Art, and to better understand his thoughts, and the genius that brings to life these magnificent creations: zen meditation rendered as visible paint.

back to the Paintings gallery.
If you are interested in acquiring a work by Claude Mediavilla, you are invited to leave a message on the Workshops & Contact page.

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News
: : : : : : : : : : : January 12th, 2007
A New Year
…with best wishes
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: : : : : : : : : : : December 8th, 2006
Booksigning at the store “Le Comptoir des Écritures”, Paris
Albin Michel and “Le Comptoir des Écritures” organise a book-signing with Claude Mediavilla
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This site and contents are
© 2006-2012 Claude Mediavilla
All Rights Reserved.

Reproduction is strictly forbidden without prior written permission.

Claude Mediavilla is always pleased to consider commissions and offers for his works, as well as all questions related to reproduction rights of his work. If you are interested in acquiring a work by Claude Mediavilla, you are invited to leave a message on the Workshops & Contact page.

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